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This audio guide features 15 commentaries on objects created over the past 1,000 years near the confluence of some of the continent’s most powerful rivers—the Mississippi and Missouri. Listen to a general introduction, narrators from the Saint Louis Art Museum, and voices from the confluence region community.

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    AUDIO GUIDE TRANSCRIPT

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Gorilla, c.1946

Houston Chandler, American

  • Speaker: Amy Torbert
    Assistant Curator of American Art
    Saint Louis Art Museum

    Hello, I’m Amy Torbert, assistant curator of American art and cocurator of Art Along the Rivers.

    In 1960 the artist Houston Chandler gave a lecture at the Saint Louis Art Museum about sculpting animals. He recommended visiting the St. Louis Zoo to get to know them up close. He wasn’t interested, however, in exactly replicating them but rather used abstraction to find “the simplicity that brings out the most powerful line of expression.”

    Chandler conveyed such lessons to his students at the People’s Art Center, where he taught for many years. The center was created by a group of Black and white St. Louis philanthropists who solicited support from their communities and the Federal Art Project. In establishing the city’s first interracial art center, they envisioned that it would “bring together people of all racial origins, religious faiths, economic levels, and ages for creative self-expression through a common interest in arts and crafts.”

    For more than 20 years, the center offered free art classes for children and adults as well as exhibitions of student, local, and national artists. It taught painting and drawing, as well as metalwork, pottery, dress designing, weaving, woodwork, art appreciation, and more. At its peak in 1952, the center served 1,385 children and 700 adults. Local artists and Saint Louis Art Museum staff members taught at the center, including Oscar Thalinger, the Museum’s registrar.

    The People’s Art Center deserves to be better known today for the success it achieved in placing art into the lives of everyday St. Louisans. For example, Manuel Hughes, whose large painting is also in this gallery, walked into the People’s Art Center on his own at age 7 or 8 and told them that he wanted to take an art class. His years of study at the center laid the foundation for his career as a professional artist, which continues today.

  • Gallery Text

    The People’s Art Center

    While supporting individual artists, the New Deal’s Federal Art Project (FAP) also created more than 100 community art centers across the nation. The centers provided paid staff positions, exhibitions, and free art classes to adults and children. These activities were central to the goal of the FAP to place arts into the lives of everyday Americans.

    The People’s Art Center in St. Louis was founded in 1942 under the FAP program. Remarkable as the first interracial art center while much of the city was segregated, it offered African American artists opportunities to study and exhibit. This visibility often led to inclusion in juried shows sponsored by the Urban League and the Saint Louis Art Museum. When the FAP ended in 1943, the center continued to operate with private donations until 1967.

    Houston Chandler, American, 1914–2015

    Gorilla, c.1946
    wood

    Saint Louis Art Museum, Museum Purchase  1124:2010

    Muscular limbs compressed into a tight pose convey this gorilla’s physical power. The sophisticated incorporation of wood grain and reductive form attest to Houston Chandler’s artistic skill.

    Chandler taught sculpture and etching at the People’s Art Center. Having been the second African American to receive an MFA from the University of Iowa, he was one of the most highly trained instructors there. He also taught art at Vashon High School and coached numerous championship track and football teams in the area. Gorilla testifies to the level of artistry among the center’s staff.

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Credits

Houston Chandler, American, 1914–2015; Gorilla, c.1946; wood; 8 5/8 x 7 3/4 x 5 1/8 inches; Saint Louis Art Museum, Museum Purchase 1124:2010; © Houston Chandler

Courtesy of Saint Louis Art Museum Archives

Missouri Works Progress Administration Art Project; Courtesy of Saint Louis Art Museum Archives

Map data © 2021 Google

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