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Male Yipwon Figure

Culture
Alamblak artist
Date
mid-20th century
Classification
Sculpture, wood
Current Location
Not on view
Dimensions
91 3/4 x 4 5/8 x 8 1/16 in. (233 x 11.7 x 20.5 cm)
Credit Line
Bequest of Morton D. May
Rights
Public Domain
Object Number
1319:1983
NOTES
This figure's strong and masculine head is balanced on top of a tall body form that was constructed around a broad spine, with large curving hooks forming the chest. The men of the Alamblak region kept a number of yipwon figures in their sacred men's houses in order to contact their ancestors for help in hunting, warfare, or to solve other problems such as food shortages or disease. To entice an ancestral spirit to enter a yipwon figure, the men would smear it with animal feces, pieces of human meat, and blood taken from a man's penis. This magnificent sculpture was created in one of the fifteen villages found in the early 1950s near the hilltops on either side of the upper Korewori River of the Sepik River region in Papua New Guinea. Although it was carved using modern steel tools, this yipwon figure is still a product of the original ideas that the people of the Alamblak region had cultivated as part of their cultural heritage.
- 1971
Everett Rassiga Inc., New York, NY, USA

1971 - 1983
Morton D. May (1914-1983), St. Louis, MO, purchased from Everett Rassiga Inc. [1]

1983 -
Saint Louis Art Museum, bequest of Morton D. May [2]


Notes:
[1] An invoice dated February 6, 1971 from Everett Rassiga Inc. to Morton D. May documents the purchase of this object, listed as "3355 Yipwon" [May Archives, Saint Louis Art Museum].

[2] Last Will and Testament of M. D. May dated June 11, 1982 [copy, May Archives, Saint Louis Art Museum]. Minutes of the Acquisitions and Loans Committee of the Board of Trustees, Saint Louis Art Museum, September 20, 1983.

We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.

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