NOTES
Starting in the 1960s, Sigmar Polke appropriated newspaper and magazine images as seen in "Girl Friends." He then magnified them to reveal the underlying grid of dots created by the industrial printing process and transferred the images onto canvas or, in this case, into a lithograph. Polke’s enlargement highlighted the photomechanical printing process, challenging the distinction between commercial and fine art production. Here, the process and source image allude to the rapid influx of consumer goods and rise of American popular culture central to West German reconstruction.