Within a snowy landscape, a boatman poles a slender, covered skiff away from shore as its passenger surveys the waterway. On shore a woman, framed by the open window of a snow-covered house, tends a small bronze brazier on a table. Additional items on the table are a lighted candle, a scroll, and books. The brushwork in the landscape is bold, while the faces of the figures are sensitively painted.
For centuries, professional and court painters of the Ming (1368–1644) and Qing (1644–1911) dynasties continued to work in the academic styles of the Northern Song dynasty (960–1127). These artists catered to the conservative tastes of a clientele that included government officials and wealthy merchants. Beijing and Nanjing were the two main cultural centers during the Ming and Qing dynasties, and paintings produced there often included large-scale hanging scrolls of figures in landscapes, such as this.
- 1920
Pang Laichen (Pang Yuanji; 1864–1949), Shanghai, China [1]
1920 -
Saint Louis Art Museum, purchased from Pang Laichen, represented by Mr. F. S. Kwen (Guan Fuchu) through William K. Bixby (1857–1931) [2]
Notes:
[1] Accession record [SLAM document files]; "Chinese Paintings of the Sung Period," Bulletin of the City Art Museum of St. Louis, vol. 5, no. 3 (July 1920), p. 32.
[2] Minutes of the Administrative Board of Control of the City Art Museum, February 28, 1920.
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