Coffeepot
- Date
- 1770–76
- Material
- Silver and wood
- made in
- New York, New York, United States, North and Central America
- Classification
- Metalwork
- Collection
- Decorative Arts and Design
- Current Location
- Not on view
- Dimensions
- 13 7/8 x 8 3/4 x 5 7/8 in. (35.2 x 22.2 x 14.9 cm)
- Credit Line
- Gift of Charles H. Stix in memory of his mother, Mrs. Henry S. Stix
- Rights
- Public Domain
- Object Number
- 84:1945
        NOTES
        
    
    
          This substantial coffeepot is enlivened by the undulating line of its pear-shaped body, the tight curves of its spout and handle, and the upward lift of the finial atop the lid. The dynamic interplay of curving form and line is one characteristic of silver in the rococo style. Another is the rich vocabulary of shells, acanthus leaves, and scrolls that form the cast handle sockets, finial, and spout. The coffeepot's cast elements were tooled to sharpen the details, add textures, and enrich their surfaces. Finishing of this quality is extraordinary, even for silver made by Myer Myers, a craftsman of Jewish ancestry, who is celebrated as one of the best and most innovative silversmiths of colonial New York.        
      
                        
            
              Provenance            
            
                          
          
          
            
                  
  
              - 1945
Robert Ensko, Inc., New York, NY, USA
1945
Charles H. Stix, St. Louis, MO, purchased from Robert Ensko, Inc. [1]
1945 -
Saint Louis Art Museum, given by Charles H. Stix [2]
Note:
[1] Stix's purchase of the piece from Robert Ensko in 1945 is documented in a letter the Museum to a researcher (Mrs. Robert Rosenbaum), dated July 23, 1952 [SLAM document files].
[2] Minutes of the Administrative Board of Control of the City Art Museum, October 4, 1945.
          Robert Ensko, Inc., New York, NY, USA
1945
Charles H. Stix, St. Louis, MO, purchased from Robert Ensko, Inc. [1]
1945 -
Saint Louis Art Museum, given by Charles H. Stix [2]
Note:
[1] Stix's purchase of the piece from Robert Ensko in 1945 is documented in a letter the Museum to a researcher (Mrs. Robert Rosenbaum), dated July 23, 1952 [SLAM document files].
[2] Minutes of the Administrative Board of Control of the City Art Museum, October 4, 1945.
We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.
 
      