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Self-Portrait, plate 1 from the portfolio “Hell”

Date
1918–19
Material
Lithograph
published in
Berlin, Berlin state, Germany, Europe
Classification
Prints
Current Location
Not on view
Dimensions
image (irregular): 14 11/16 × 10 5/8 in. (37.3 × 27 cm)
sheet: 18 3/8 × 11 5/8 in. (46.6 × 29.5 cm)
framed: 29 1/8 × 23 1/8 in. (74 × 58.7 cm)
Credit Line
Neumann/Frumkin Collection, purchased with funds provided by the bequest of Morton D. May, by exchange, the bequest of Florene M. Schoenborn in honor of her father, David May, by exchange, Emily Rauh Pulitzer, Museum Shop Fund, Mr. and Mrs. Lester A. Crancer Jr., Phoebe and Mark Weil, The Sidney S. and Sadie Cohen Print Purchase Fund, Mr. and Mrs. David C. Farrell, the Julian and Hope Edison Print Fund, gift of George Rickey, by exchange, bequest of Helen K. Baer, by exchange, Suzanne and Jerry Sincoff, Museum Shop Fund, by exchange, gift of the Buchholz Gallery, by exchange, Museum Purchase, by exchange, Jerome F. and Judith Weiss Levy, bequest of Horace M. Swope, by exchange, and funds given by Fielding Lewis Holmes through the 1988 Art Enrichment Fund, by exchange
Rights
Public Domain
Object Number
266:2002
by 1999 - 2002
Allan Frumkin, Chicago, IL; New York, NY, purchased at auction [1]

2002 -
Saint Louis Art Museum, purchased from Allan Frumkin [2]


Notes:
[1] In a letter dated November 16, 2001 to Francesca Consagra at the Saint Louis Art Museum, Allan Frumkin indicates that while he acquired the core of his Beckmann collection from the dealer and gallery owner I.B. Neumann during the late fifties, he also purchased some prints after the late fifties at auction [SLAM document files]. Included on the Frumkin Collection list dated November 17, 2001, together with the above-mentioned letter, are seven lithographs from the "Hell" portfolio, which Frumkin annotates as having been purchased at auction. This impression along with four others from the series is not listed. Frumkin mentions, however, that he did not have a master list of the prints and that there were probably omissions, since he was forced to work from memory. It is likely that he acquired this impression at the same time as the other prints in the portfolio. Name of the auction house and date of sale are at this time unknown.

In 1999, this print was on loan to the Saint Louis Art Museum, loan number 1999.361. In 2002 the Museum acquired it and gave it a new accession number.

[2] See Purchase Agreement dated October 15, 2002 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, September 30, 2002, and Minutes of the Board of Commissioners, Saint Louis Art Museum, October 14, 2002.

We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.