The Negro, plate 6 from the portfolio “Annual Fair”
- Date
- 1921
- Material
- Drypoint
- printed in
- Munich, Bavaria state, Germany, Europe
- published in
- Munich, Bavaria state, Germany, Europe
- matrix made in
- Frankfurt am Main, Hessen state, Germany, Europe
- Classification
- Prints
- Collection
- Prints, Drawings, and Photographs
- Current Location
- Not on view
- Dimensions
- image: 11 1/2 × 10 3/16 in. (29.2 × 25.9 cm)
plate: 11 1/2 × 10 3/16 in. (29.2 × 25.9 cm)
sheet: 20 7/8 × 15 1/8 in. (53 × 38.4 cm) - Credit Line
- Neumann/Frumkin Collection, purchased with funds provided by the bequest of Morton D. May, by exchange, the bequest of Florene M. Schoenborn in honor of her father, David May, by exchange, Emily Rauh Pulitzer, Museum Shop Fund, Mr. and Mrs. Lester A. Crancer Jr., Phoebe and Mark Weil, The Sidney S. and Sadie Cohen Print Purchase Fund, Mr. and Mrs. David C. Farrell, the Julian and Hope Edison Print Fund, gift of George Rickey, by exchange, bequest of Helen K. Baer, by exchange, Suzanne and Jerry Sincoff, Museum Shop Fund, by exchange, gift of the Buchholz Gallery, by exchange, Museum Purchase, by exchange, Jerome F. and Judith Weiss Levy, bequest of Horace M. Swope, by exchange, and funds given by Fielding Lewis Holmes through the 1988 Art Enrichment Fund, by exchange
- Rights
- Public Domain
- Object Number
- 144:2002.6
Provenance
by 1999 - 2002
Allan Frumkin, Chicago, IL; New York, NY [1]
2002 -
Saint Louis Art Museum, purchased from Allan Frumkin [2]
[1] In a letter dated November 16, 2001 to Francesca Consagra at the Saint Louis Art Museum, Allan Frumkin indicates that he acquired the core of his Beckmann collection from I.B. Neumann [SLAM document files]. Included on the Frumkin Collection list dated November 17, 2001, along with the above-mentioned letter are seven drypoints from the "Annual Fair" portfolio, which Frumkin annotates as having been purchased from Neumann. This impression is not one of the drypoints listed. Frumkin mentions, however, that he did not have a master list of the prints and that there were probably omissions, since he was forced to work from memory. It is likely that he acquired this proof at the same time as the other prints in the portfolio.
In 1999, this print was on loan to the Saint Louis Art Museum, loan number 1999.221.6. In 2002 the Museum acquired it and gave it a new number.
[2] See Purchase Agreement dated October 15, 2002 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, September 30, 2002, and Board of Commissioners, October 14, 2002.
Allan Frumkin, Chicago, IL; New York, NY [1]
2002 -
Saint Louis Art Museum, purchased from Allan Frumkin [2]
[1] In a letter dated November 16, 2001 to Francesca Consagra at the Saint Louis Art Museum, Allan Frumkin indicates that he acquired the core of his Beckmann collection from I.B. Neumann [SLAM document files]. Included on the Frumkin Collection list dated November 17, 2001, along with the above-mentioned letter are seven drypoints from the "Annual Fair" portfolio, which Frumkin annotates as having been purchased from Neumann. This impression is not one of the drypoints listed. Frumkin mentions, however, that he did not have a master list of the prints and that there were probably omissions, since he was forced to work from memory. It is likely that he acquired this proof at the same time as the other prints in the portfolio.
In 1999, this print was on loan to the Saint Louis Art Museum, loan number 1999.221.6. In 2002 the Museum acquired it and gave it a new number.
[2] See Purchase Agreement dated October 15, 2002 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, September 30, 2002, and Board of Commissioners, October 14, 2002.
We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.