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Hunting Dogs

Date
c.1853
Material
Salt print
made in
France, Europe
Classification
Photographs
Current Location
Not on view
Dimensions
5 5/16 x 6 3/4 in. (13.5 x 17.1 cm)
Credit Line
Funds given by Jack Ansehl and Edward Potter
Rights
Public Domain
Object Number
429:2002
NOTES
A network of diagonal lines holds the four dogs as the central focus in Count Olympe Aguado's photograph: a tether of ropes holding the dogs from below, a line of bricks rising from left to right, and a dim horizontal shadow grazing the backs of the dogs and the stone basin behind them. The animals appear like performers on a stage, facing the viewer with genial expressions. The artistic control Aguado displayed in this picture was all but unheard of at the time this image was made. Early photographic materials were slow and awkward to use, often requiring exposure times of many seconds. With such long exposures small movements could make the subject look blurry. Animals were among the most challenging subjects, because they rarely stood still long enough to get a sharp picture. Aguado surmounted these obstacles to make a picture that is not just technically superb but also rich and evocative.
1854 - 2001
Roger Comte du Manoir; his family, by inheritance [1]

2001
Auction house, France

2001 - 2002
Didier Dezandre

- 2002
Vintage Works, Ltd. (Alexander Novak), Chalfont, PA, USA

2002 -
Saint Louis Art Museum, purchased from Vintage Works, Ltd. [2]


Notes:
Provenance provided by Alexander Novak in a conversation with Saint Louis Art Museum curator Phillip Prodger [cataloging worksheet, SLAM document files]. Other supporting documents are noted.

[1] An invoice from Vintage Works, Ltd. lists Roger Comte de Manoir, a founding member of the Société des française de photographie, as a former owner of the photograph [SLAM document files].

[2] Invoice from Vintage Works, Ltd. dated November 20, 2002 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, March 4, 2003.

We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.