Death of Meleager
- Date
- 1543
- Material
- Engraving with drypoint
- Classification
- Prints
- Collection
- Prints, Drawings, and Photographs
- Current Location
- Not on view
- Dimensions
- image: 11 5/8 x 16 3/8 in. (29.5 x 41.6 cm)
sheet (trimmed inside plate): 11 5/8 x 16 3/8 in. (29.5 x 41.6 cm) - Credit Line
- The Sidney S. and Sadie Cohen Print Purchase Fund
- Rights
- Public Domain
- Object Number
- 148:2003
NOTES
Viewers of this vigorous and sculptural engraving are invited into the scene by the extended paw of the hunting dog, which breaks out of the picture’s frame at the lower left. The hound barks at a fractured frenzy of bulging muscles and twisting hair centered upon the dying man. The dense, claustrophobic composition heightens the terrible drama of the scene. The dying figure is the ancient Greek hero Meleager, and his story underscores the primacy of family loyalty in Greek culture. At his birth, the Fates decreed that Meleager would live only until a burning log was consumed. His mother removed the log from the fire to grant him immortality, but when he killed her brothers over a dispute relating to the Caledonian boar hunt (seen in the background), she threw the log back on the fire.
Girolamo Faccioli was only recently suggested as the author of this print. A goldsmith as well as an engraver, his skill and training is evident in the forceful parallel lines that delineate the richly modeled forms.
Provenance
1990 - 1991
Hill-Stone Gallery, New York, NY, USA, purchased in the London trade, London, England [1]
1991 - 2002
Private Collection, New York, NY, purchased from Hill-Stone Gallery [2]
2002 - 2003
Hill-Stone Gallery, New York, NY, purchased from private collection
2003 -
Saint Louis Art Museum, purchased from Hill-Stone Gallery [3]
Notes:
The main source for this provenance is an email from Lesley Hill of Hill-Stone Gallery dated August 21, 2003 [SLAM document files]. Other supporting documents are noted.
[1] In her email, Hill described the purchase as "purchased in the London trade."
[2] Hill did not name the private collection, but noted the collector purchased the piece from Hill-Stone "through his art agent."
[3] Invoice dated June 30, 2003 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, September 23, 2003.
Hill-Stone Gallery, New York, NY, USA, purchased in the London trade, London, England [1]
1991 - 2002
Private Collection, New York, NY, purchased from Hill-Stone Gallery [2]
2002 - 2003
Hill-Stone Gallery, New York, NY, purchased from private collection
2003 -
Saint Louis Art Museum, purchased from Hill-Stone Gallery [3]
Notes:
The main source for this provenance is an email from Lesley Hill of Hill-Stone Gallery dated August 21, 2003 [SLAM document files]. Other supporting documents are noted.
[1] In her email, Hill described the purchase as "purchased in the London trade."
[2] Hill did not name the private collection, but noted the collector purchased the piece from Hill-Stone "through his art agent."
[3] Invoice dated June 30, 2003 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, September 23, 2003.
We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.