Until I Die/Georgia Trees and the Upper Room
- Date
- 1997
- printed in
- Berkeley, California, United States, North and Central America
- Classification
- Prints
- Collection
- Prints, Drawings, and Photographs
- Current Location
- Not on view
- Dimensions
- plate: 35 3/4 x 24 in. (90.8 x 61 cm)
sheet: 44 1/4 x 31 in. (112.4 x 78.7 cm) - Credit Line
- Museum Minority Artists Purchase Fund
- Rights
- © Radcliffe Bailey
- Object Number
- 26:2004
NOTES
Subtle grays and blacks form the portrait placed near the center of this print. These muted colors stand in contrast to the patches of vivid green, blue, and orange pieced together around the image. Drawn from a collection of photographs gifted to Radcliffe Bailey by his grandmother, the portrait of an unknown man serves as a point of entry into historical narratives marked by loss. Inscribed above are a series of names and dates recording the victims of lynching in Georgia. Bailey also evokes the song lyrics “Until I Die,” often found in spirituals. In this way the artist called upon practices of remembering that expand from a personal charge to a communal one.
Provenance
- 2004
Paulson Press, Berkeley, CA, USA, representing Radcliffe Bailey [1]
2004 -
Saint Louis Art Museum, purchased from Paulson Press [2]
Notes:
[1] Print Documentation [SLAM document files].
[2] Invoice dated April 6, 2004 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, June 1, 2004.
Paulson Press, Berkeley, CA, USA, representing Radcliffe Bailey [1]
2004 -
Saint Louis Art Museum, purchased from Paulson Press [2]
Notes:
[1] Print Documentation [SLAM document files].
[2] Invoice dated April 6, 2004 [SLAM document files]. Minutes of the Collections Committee of the Board of Trustees, Saint Louis Art Museum, June 1, 2004.
We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.