- Artist Culture
- Tsistsistas / Suhtai (Cheyenne)
or Hinono'ei (Arapaho)
- Tanned hide, rawhide, glass seed beads, cotton cloth, silk, wood, metal tacks, and metal bells
- Made in
- United States, North and Central America
- Containers, mixed media
- Current Location
- Not on view
- 44 × 13 1/2 × 11 in. (111.8 × 34.3 × 27.9 cm)
- Credit Line
- The Donald Danforth Jr. Collection, Gift of Mrs. Donald Danforth Jr.
- Public Domain
- Object Number
This cradle features allover beadwork with repeating geometric patterns organized around mirrored triangles and diamonds. The focal point of each beaded design gives way to a profusion of silk ribbons, large beads, and brass bells. This approach to materials exemplifies the historic Plains aesthetics of excess, where artists created powerful assemblages using diverse textures, colors, and objects that produce sound. Cradles swaddle babies tightly and furnish a secure place to keep children while adult relatives work. At its back, this cradle attaches to a wooden framework that provides structural support for mounting to hooks or resting against vertical surfaces. Today, many Tsistsistas/Suhtai families cherish cradleboards as heirlooms.