The Bidet
- Date
- c.1876–77
- Material
- Monotype
- Classification
- Prints
- Collection
- Prints, Drawings, and Photographs
- Current Location
- Not on view
- Dimensions
- image: 6 5/16 x 4 11/16 in. (16 x 11.9 cm)
sheet (somewhat irregular deckle edges): 9 7/16 x 7 7/8 in. (24 x 20 cm)
mount: 12 3/8 x 8 7/8 in. (31.4 x 22.5 cm)
framed: 23 1/8 × 17 1/8 × 1 1/2 in. (58.7 × 43.5 × 3.8 cm) - Credit Line
- The Marian Cronheim Trust for Prints and Drawings
- Rights
- Public Domain
- Object Number
- 16:2013
Provenance
Edgar Degas (1834-1917), Paris, France [1]
by 1935 – 1939
Ambroise Vollard (1866 – 1939), Paris, France [2]
1939 – 2010
Heirs of Ambroise Vollard, Paris, France, by inheritance [3]
2010 – 2012
W.M. Brady & Co., New York, NY, USA, purchased at the sale of "Treasures from the Vollard Vault," Sotheby's Paris, June 29, 2010, lot no. 48
2012 – 2013
Carolyn Bullard, Dallas, TX, purchased from W.M. Brady & Co. [4]
2013 –
Saint Louis Art Museum, purchased from Carolyn Bullard [5]
Notes:
[1] In 1918, the year after he died, Degas's collection was sold in a series of sales. Works in this collection were inventoried and stamped with a Degas atelier stamp [Lugt 657]. This stamp appears on the reverse side of this work's original mount.
[2] Monotypes figured in at least two posthumous sales from Degas's studio on November 22-28, 1918 ("Scenes de maisons closes, 16 pieces, 8500 fr.-"); and June 12, 1934 ("9+2 d'estampes et monotypes"). It is not clear when Vollard acquired this impression, but he reproduced it in 1935 [Samosatenus, Lucianus; trans. by Pierre Louÿs. "Mimes des courtisanes de Lucien." Paris: Ambroise Vollard, 1935, plate III (facing p. 56)].
[3] The original mount bears a stamp made for a 1981 sale of the collection of Erich Chlomovitch which never took place. A 2006 ruling by the French high court declared Vollard's heirs the work's rightful owners by inheritance.
[4] Correspondence from Carolyn Bullard to E. Wyckoff, August 28, 2013 [SLAM document files]
[5] Bill of sale from Carolyn Bullard dated July 19, 2013 [SLAM document files]. Minutes of the Collection Committee of the Board of Trustees, Saint Louis Art Museum, September 23, 2013.
by 1935 – 1939
Ambroise Vollard (1866 – 1939), Paris, France [2]
1939 – 2010
Heirs of Ambroise Vollard, Paris, France, by inheritance [3]
2010 – 2012
W.M. Brady & Co., New York, NY, USA, purchased at the sale of "Treasures from the Vollard Vault," Sotheby's Paris, June 29, 2010, lot no. 48
2012 – 2013
Carolyn Bullard, Dallas, TX, purchased from W.M. Brady & Co. [4]
2013 –
Saint Louis Art Museum, purchased from Carolyn Bullard [5]
Notes:
[1] In 1918, the year after he died, Degas's collection was sold in a series of sales. Works in this collection were inventoried and stamped with a Degas atelier stamp [Lugt 657]. This stamp appears on the reverse side of this work's original mount.
[2] Monotypes figured in at least two posthumous sales from Degas's studio on November 22-28, 1918 ("Scenes de maisons closes, 16 pieces, 8500 fr.-"); and June 12, 1934 ("9+2 d'estampes et monotypes"). It is not clear when Vollard acquired this impression, but he reproduced it in 1935 [Samosatenus, Lucianus; trans. by Pierre Louÿs. "Mimes des courtisanes de Lucien." Paris: Ambroise Vollard, 1935, plate III (facing p. 56)].
[3] The original mount bears a stamp made for a 1981 sale of the collection of Erich Chlomovitch which never took place. A 2006 ruling by the French high court declared Vollard's heirs the work's rightful owners by inheritance.
[4] Correspondence from Carolyn Bullard to E. Wyckoff, August 28, 2013 [SLAM document files]
[5] Bill of sale from Carolyn Bullard dated July 19, 2013 [SLAM document files]. Minutes of the Collection Committee of the Board of Trustees, Saint Louis Art Museum, September 23, 2013.
We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.