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Since the late 1960s, Anselm Kiefer has made art exploring the depths of human history. For his first American retrospective in 20 years, he takes the river as a metaphor for the flux of life and the passage of time. Breathtaking new landscapes join iconic works to celebrate his nearly 60-year career.

Anselm Kiefer: Becoming the Sea draws significant loans from American museums and private collections. It features a massive, site-specific installation inspired by the Mississippi and Rhine Rivers that evokes the symbolic resonance of the waterways and links explorations of time, geography, and history. A monumental presentation, the exhibition is free for all visitors.

Anselm Kiefer, German, born 1945; Becoming the ocean, for Gregory Corso, 2024; emulsion, oil, acrylic, shellac, sediment of electrolysis, gold leaf, stones, and annealed wire on canvas; 110 1/4 inches x 18 feet, 8 7/16 inches; Private collection; © Anselm Kiefer, Photo: Nina Slavcheva

Born in 1945 in Donaueschingen, Germany, Anselm Kiefer is one of the most significant artists of the post–World War II era. His art is known for unflinching examinations of Germany’s complex historical legacy and broader themes of cultural memory and human existence. Working across diverse media, Kiefer creates large-scale works with raw, tactile surfaces made from unconventional materials, including lead, ash, clay, and dried flowers.

SLAM’s relationship with Kiefer began in 1983 with the exhibition Expressions: New Art from Germany, which introduced American audiences to Neo-Expressionism. Since then, the Museum has built one of the nation’s great collections of postwar German art.

Anselm Kiefer: Becoming the Sea is curated by Min Jung Kim, the Barbara B. Taylor Director of the Saint Louis Art Museum, assisted by Melissa Venator, Andrew W. Mellon Foundation Assistant Curator of Modern Art. The exhibition is presented with generous support from the William T. Kemper Foundation, Jeanne and Rex Sinquefield, and Gagosian.

Anselm Kiefer, German, born 1945; Brennstäbe (Fuel Rods), 1984–87; oil, acrylic emulsion, and shellac on canvas with lead, copper wire, straw, iron, and ceramic; 130 1/4 inches x 18 feet 3 inches; Saint Louis Art Museum, Gift of Mr. and Mrs. Joseph Pulitzer Jr., by exchange 108:1987a-c; © Anselm Kiefer