Installation view of Art Along the Rivers: A Bicentennial Celebration
Art Along the Rivers: A Bicentennial Celebration
October 3, 2021–January 7, 2022- Location
- Main Exhibition Galleries
This exhibition occurred in the past. The archival exhibition summary below describes the exhibition as it was conceived while on view.
In conjunction with the 200th anniversary of Missouri’s statehood, Art Along the Rivers: A Bicentennial Celebration explores the remarkable artwork produced and collected over 1,000 years in the region surrounding St. Louis. The exhibition presents more than 150 objects from Missouri as far north as Hannibal, west to Hermann, and south through the Old Mines area. It also encompasses the Illinois region along the eastern bank of the Mississippi River, from Cairo north through Carbondale and Alton. Although the region that has shaped the exhibition’s objects is small, it has played an outsize role in the history of North America due to the confluence of powerful rivers and major trails and routes within its borders.
Art Along the Rivers includes a surprising range of objects that vary widely in medium, function, and the prominence of their makers. For example, it brings together Mississippian sculpture, Osage textiles, architectural drawings for iconic landmarks, musical instruments, German and Creole furniture, African American decorative arts, prize-winning paintings from the 1904 St. Louis World’s Fair, and contemporary artists’ responses to these historic objects. While at first these works might appear to have few connections, the exhibition arranges them by theme rather than by culture or chronology to establish dialogues around the region’s geography, raw materials, and pressing social issues.
The exhibition is curated by Melissa Wolfe, curator of American art, and Amy Torbert, the Andrew W. Mellon Foundation Assistant Curator of American Art.
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Houston Chandler, American, 1914–2015
Gorilla More Information -
Thomas M. Easterly, American, 1809–1882; “Robert J. Wilkinson, Barber of the Southern Hotel”, c.1860; daguerreotype; 4 x 3 1/2 inches; Courtesy of the Missouri Historical Society, St. Louis 2021.56
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Adelaide Alsop Robineau, American, 1865–1929; associated with Art Academy of the American Woman's League, University City, Missouri, 1909–1911; Scarab Vase (Apotheosis of the Toiler), 1910; porcelain; 16 5/8 x 6 inches; Everson Museum of Art, Syracuse, NY, Museum Purchase 2021.199
Exhibition Catalogue
A fully illustrated, color catalogue authored by Melissa Wolfe, curator of American art, and Amy Torbert, the Andrew W. Mellon Foundation Assistant Curator of American Art at the Saint Louis Art Museum, is available for purchase at the Museum store or online.

Audio Guide
Enjoy the Museum’s new, enhanced virtual audio guide for Art Along the Rivers: A Bicentennial Celebration. This audio guide features 15 commentaries narrated by the exhibition’s curators and voices from the confluence region community. Bring your headphones and listen during your in-gallery visit or experience the guide from home.
Accessibility
The Saint Louis Art Museum is committed to being accessible and welcoming to all visitors. Learn More.
Large Print Labels
Large print labels for Art Along the Rivers: A Bicentennial Celebration are available online and upon request at the Special Exhibition desk in Taylor Hall.
Audio Guide Transcript
A transcript of the audio guide for the exhibition is available online and upon request at the Special Exhibition desk in Taylor Hall.
Educator Resource
The Art Along the Rivers Educator Resource offers rich learning connections for students and teachers to use in the classroom in conjunction with the exhibition. Broken into five thematic units, the resource explores stories and works of art from the exhibition and the connections they have to regional and national history.
On-Demand Virtual Programs
This recorded program was originally presented via Zoom on October 7, 2021.
Melissa Wolfe, curator of American art, and artist Norman Akers (citizen Osage Nation) introduced the exhibition "Art Along the Rivers: A Bicentennial Celebration." Akers explored issues of identity and culture, including Osage myths, place, and the dynamics of personal and cultural transformation as a Native American artist. He discussed his featured work and the connections between his practice and the overarching themes of the exhibition.
This recorded program was originally presented via Zoom on October 14, 2021.
Melissa Wolfe, curator of American art, explored works of art included in the first section of "Art Along the Rivers: A Bicentennial Celebration." This talk introduced how the confluence of the three most powerful rivers in North America—the Mississippi, the Missouri, and the Ohio—and the major trade and migration routes have profoundly shaped the objects produced within the region. Geographic confluence also created notable cultural confluences, which resulted in objects that drew their form from the diverse traditions present in the area. As both an outpost and a gathering point, the region provided fertile ground for the growth of a distinctive artistic identity.
This recorded program was originally presented via Zoom on October 21, 2021.
Amy Torbert, Andrew W. Mellon Foundation Assistant Curator of American Art, explores works of art included in the second section of "Art Along the Rivers: A Bicentennial Celebration." This talk presents the surprising variety of works of art created, collected, and exhibited in the St. Louis area during the 19th and early 20th centuries. It traces the development of the city’s private art collections and public exhibitions over a century, culminating in the 1909 formation of the City Art Museum (now known as the Saint Louis Art Museum). It also focuses on the 1904 St. Louis World’s Fair to consider the contexts and methods of display encountered by its visitors.
This recorded program was originally presented via Zoom on October 28, 2021.
Amy Torbert, Andrew W. Mellon Foundation Assistant Curator of American Art, considers works of art included in the third section of "Art Along the Rivers: A Bicentennial Celebration." This talk explores the commercial objects designed and created by the dynamic communities of makers in the confluence region. For millennia artists, designers, and craftspeople have drawn upon the region’s natural resources to create products to be sold, traded, and used. By sparking dialogues among disparate materials and industries—from architectural design to clay, metals, textiles, and portraiture—this talk traces the continuities and changes that have shaped the area’s products over centuries.
This recorded program was originally presented via Zoom on November 4, 2021.
Melissa Wolfe, curator of American art, explores works of art included in the fourth section of "Art Along the Rivers: A Bicentennial Celebration." This talk brings together objects created by regional artists in the 20th century who sought the camaraderie of like-minded makers. Whether united by artistic styles or social views, and whether their associations lasted for only a short period or for a lifetime, these makers found fertile ground in which to develop their vision in the creative atmosphere sustained by the company of others. Objects made by folk or outsider artists are also included. Within this context, their work provides an important perspective on community and the richness of creative inquiry.
This recorded program was originally presented via Zoom on November 11, 2021.
Amy Torbert, Andrew W. Mellon Foundation Assistant Curator of American Art, explores works of art included in the fifth section of "Art Along the Rivers: A Bicentennial Celebration." This talk demonstrates how objects produced in the region have drawn attention to particular political, social, and environmental viewpoints. Some of these objects have communicated support for political policies and promoted recognition of marginalized communities, while others have countered social injustices and investigated relationships between humans and nature. All speak boldly in the hopes of effecting change.
Sponsors
This exhibition is organized by the Saint Louis Art Museum. Its presentation is generously supported by the William T. Kemper Foundation.
Support
Additional support is provided by the Edward L. Bakewell Jr. Endowment for Special Exhibitions, the Trio Foundation of St. Louis, and the Ken and Nancy Kranzberg Fund.