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Music Stand

Date
1903–04
Classification
Furniture
Current Location
On View, Gallery 129
Dimensions
50 × 24 × 15 in. (127 × 61 × 38.1 cm)
Credit Line
Friends Endowment Fund, Marjorie Wyman Endowment Fund; Museum Purchase, by exchange; the Richard Brumbaugh Trust in memory of Richard Irving Brumbaugh and Grace Lischer Brumbaugh, Funds given by Victor Porter Smith, the Mary Elizabeth Rosborough Decorative Arts Fund; and Funds given by the Decorative Arts Society, Gift of Mrs. Milton Greenfield in memory of Miss Blanche Sterne and Mrs. Louis Bauman (Maude Sterne), Gift of David A. Hanks in honor of Charles E. Buckley, Gift of Mrs. Elsie Sansbury, Gift of Berthoud Clifford Boulton, Gift of Silas Bent McKinley, Gift of Mrs. Robert Andrew Frevert in memory of Branson Frevert, Gift of the Estate of the Honorable Frank Landwehr, Gift of Jay Landesman, Gift of Mr. and Mrs. David Baron, all by exchange
Rights
Public Domain
Object Number
460:2018
NOTES
This cabinet for storing sheet music presents a taut arrangement of vertical and horizontal lines with clear solids and voids. The near-black finish accentuates its minimal form. Stylized flowers of colored woods, pewter, and copper inlaid in the door offer a subtle enrichment. From 1900 until World War I (1914–1918), furniture maker Gustav Stickley was a leading contributor to the American Arts and Crafts movement. During the 1880s and ’90s, Stickley was a successful manufacturer of middle-class Victorian furniture. He first explored consciously artistic furniture in 1900, gradually developing radically spare forms that evoked the sentiments of English designer William Morris, for whom simplicity was the essential requirement of modern furnishings. Stickley renamed his business the United Crafts and, in October 1901, began to publish The Craftsman magazine. In 1903 and 1904, the Stickley style was further refined in favor of attenuated forms embellished with inlaid ornament, as seen in this music stand.

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