Horses in Stables: Spring
- Culture
- Japanese
- Period
- Edo period, 1615–1868
- Date
- 17th century
- Classification
- Furniture, paintings
- Collection
- Asian Art
- Current Location
- Not on view
- Dimensions
- overall: 59 1/4 x 138 1/2 in. (150.5 x 351.8 cm)
dimensions when closed and folded: 59 1/4 in. x 23 1/2 in. x 5 in. (150.5 x 59.7 x 12.7 cm) - Credit Line
- Funds given by Mr. and Mrs. Arthur B. Baer
- Rights
- Public Domain
- Object Number
- 4:1970.1
NOTES
This screen by an unidentified artist of the Kano school depicts an important subject in Japanese painting. Screen painters popularized the subject of horses in stables (umaya zu) during the Muromachi period (1392–1573).The subject continued to be painted throughout the Momoyama period (1573–1615) and the early Edo period (1615–1868), reflecting the enthusiasm of the warrior class and concern for horses during a period that witnessed many civil wars.
Seasonal details of trees and flowers were often prominently worked into the settings of such compositions. Here, each of the 12 panels shows a single horse tethered by silken ropes to its individual stall. Across the upper portion of the screen, weeping cherry trees represent spring. These seasonal themes are carried out in the sumptuous Kano-school style with an extensive use of gold and silver kirikane (“cut-gold”) decorative techniques.
Seasonal details of trees and flowers were often prominently worked into the settings of such compositions. Here, each of the 12 panels shows a single horse tethered by silken ropes to its individual stall. Across the upper portion of the screen, weeping cherry trees represent spring. These seasonal themes are carried out in the sumptuous Kano-school style with an extensive use of gold and silver kirikane (“cut-gold”) decorative techniques.
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