Still Life with Strawberries
- Date
- 1863
- Material
- Oil on panel
- Classification
- Paintings
- Collection
- American Art
- Current Location
- On View, Gallery 329
- Dimensions
- 17 x 21 in. (43.2 x 53.3 cm)
framed: 24 9/16 x 28 5/8 x 3 3/8 in. (62.4 x 72.7 x 8.6 cm) - Credit Line
- Purchased in memory of Rose Allen Valier by her friends and Mr. and Mrs. Biron A. Valier
- Rights
- Public Domain
- Object Number
- 83:1974
NOTES
This careful presentation of ripe strawberries, prickly skinned pineapple, and the shiny reflections of elaborate silver and glass speak to the owner's taste for luxury. The pineapple, an exotic fruit imported into New Orleans and shipped along the Mississippi River, was available only in limited quantities. Wealthy families proudly served it on special occasions. This painting would have adorned the walls of an upper-class dining room and affirmed social and economic status.
Still life was considered an appropriate subject for female artists, who generally were excluded from more lucrative painting subjects and formal training in the United States in the 19th century. Hannah Brown Skeele worked in St. Louis in the 1860s. She was considered an amateur artist, though her works won considerable acclaim.
Still life was considered an appropriate subject for female artists, who generally were excluded from more lucrative painting subjects and formal training in the United States in the 19th century. Hannah Brown Skeele worked in St. Louis in the 1860s. She was considered an amateur artist, though her works won considerable acclaim.
Provenance
late 19th century - 1974
Jervis D. Brown, Milford, CT; Florine Brown Cave, by gift or inheritance; Annette Cave, The Dalles, OR, by gift or inheritance [1]
1974 -
Saint Louis Art Museum, purchased from Annette Cave [2]
Notes:
[1] A letter from Annette Cave dated July 27, 1974 indicates that the painting was purchased by her grandfather, Jervis D. Brown, in the late 1800s. Although he resided in Milford, CT, his collection of artwork came from New York and Philadelphia. This painting was given to his daughter Florine Brown Cave (Mrs. Elmore Cave), and was later given to Florine's daughter, Annette Cave [letter, SLAM document files].
[2] Minutes of the Acquisitions Committee of the Board of Trustees, Saint Louis Art Museum, July 16, 1974.
Jervis D. Brown, Milford, CT; Florine Brown Cave, by gift or inheritance; Annette Cave, The Dalles, OR, by gift or inheritance [1]
1974 -
Saint Louis Art Museum, purchased from Annette Cave [2]
Notes:
[1] A letter from Annette Cave dated July 27, 1974 indicates that the painting was purchased by her grandfather, Jervis D. Brown, in the late 1800s. Although he resided in Milford, CT, his collection of artwork came from New York and Philadelphia. This painting was given to his daughter Florine Brown Cave (Mrs. Elmore Cave), and was later given to Florine's daughter, Annette Cave [letter, SLAM document files].
[2] Minutes of the Acquisitions Committee of the Board of Trustees, Saint Louis Art Museum, July 16, 1974.
We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.