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Malagan Figure

Date
mid-19th to early 20th century
Classification
Sculpture, wood
Current Location
Not on view
Dimensions
94 7/8 x 9 5/8 x 5 11/16 in. (241 x 24.5 x 14.5 cm)
Credit Line
Gift of Morton D. May
Rights
Public Domain
Object Number
60:1977
NOTES
The people of northern New Ireland honor their dead through elaborate feast cycles called malagan that culminate in a display of perhaps a dozen or more carved and painted wooden sculptures. Each piece is created anew by a master sculptor from a copyright prescription that is owned by a clan leader and is passed on to the next generation of owners during the malagan ceremony. With its clear rendering of complex images of birds and fishes, this is an especially fine malagan figure. The face at the top is surrounded by a wooden border, which is connected to the nostrils and may represent the figure's last breath. Much of the imagery on this figure seems to be an allegory of life feeding on life: double-mouthed objects consume birds, while birds become fish. This merging of one animal into another is one of the hallmarks of some of the best-known malagan imagery.
- 1970
Everett Rassiga Inc., New York, NY, USA

1970 - 1977
Morton D. May (1914-1983), St. Louis, MO, purchased from Everett Rassiga Inc. [1]

1977 -
Saint Louis Art Museum, given by Morton D. May [2]


Notes:
[1] An invoice dated November 10, 1970 from Everett Rassiga Inc. to Morton D. May documents this purchase, listed as "CARVED COLUMN / New Britain" [May Archives, Saint Louis Art Museum].

[2] A letter dated March 1, 1977 from Morton D. May to James N. Wood, director of the Saint Louis Art Museum, includes the offer of this object as part of a larger donation [SLAM document files]. Minutes of the Acquisitions Committee of the Board of Trustees, Saint Louis Art Museum, April 14, 1977.

We regularly update records, which may be incomplete. If you have additional information, please contact us at provenance@slam.org.

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